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The town celebrated Guy Fawkes day and burned an effigy of the man who tried to blow up the Houses of Parliament centuries before. For days beforehand, even as the holy women left the churches where they had prayed for the release of souls from punishment, children would be dragging carts and prams around with Guy Fawkes dummies they’d made, stuffed with straw and newspaper like scarecrows, easy to burn.
Who wields the most power in the world? If one follows the money trail, it becomes clear that Western societies have become ruled by a new type of aristocracy: a management aristocracy.
The world is facing cross-currents: a collapsing financial system that is balanced by the benefits of massive, long term improvements in production efficiencies, mainly because of technological advances. It is a bad news/good news story that can only be seen accurately if the intractable errors of contemporary economics are jettisoned. We are in a battle between finance fictions and reality.
In the last few weeks, we have been drowned, smothered or mired in words that have striven for solemnity. Such occasions as the death of Queen Elizabeth II and the various Grand Finals are held to transcend the everyday and so to demand elegiac or epic words. It is easy to laugh at the manifest failures to reach those heights, whether by Poets Laureate who should have known better, or by excitable journalists. There is, however, something endearingly human in the attempt.
What can the pacifist do when confronted with naked tyranny? With Putin’s invasion of Ukraine, pacifists are faced with the dilemma of either helping Ukrainians defend themselves ― and what spirit and courage they have shown, led by their unlikely president ― or letting Putin have his way. If diplomacy stood a chance, it would be the alternative option for pacifists; but does it?
Despite our differing social and cultural beliefs, we can mostly agree that we live in highly polarised times. But what divides us? ARC Laureate Fellow Prof. Axel Bruns studies social polarisation, and in this discussion we explore the drivers of polarisation, examining the role that digital and social media and broader social and political contexts play in intensifying social conflicts, threatening economic prosperity, undermining public trust, and ultimately destabilising societies.
The beauty of questions is they remind us that we do not know, even as they lure us into their openness. Questions are rarely ever closed or settled. Honner’s books are built around questions. ‘If God made the world, who made God?’ Or, leaving behind pure speculation, ‘Why doesn’t God answer my prayers?’ These are deep mysteries, but they are not meaningless mysteries, Honner says.
Those who suggest that gatherings like the Jobs Summit are not worth the time overlook the possibility of long-term solutions being found through people coming together and talking. Much of the talking was done, of course, prior to the Jobs Summit. But the date in the diary focusses the mind; preparatory conversations start to refine a common understanding of what is being sought, and maybe even why.
With many types of fathering in a wide range of ethnic, cultural, and social situations by separated dads, stepdads, gay dads, uncles, and grandpas, as we celebrate today’s dads, it’s good to think about fatherhood and parenting myths and how they stack up in an ever-changing world.
The absence of trust undermines our ability to meet basic human need, to feel supported, to share resources and to effectively divide responsibilities. Mistrust imposes its own ‘price’ on every ‘transaction’, every engagement with others becomes more costly as we need to account for the perceived insincerity and unreliability of others.
We need to be able to do more than simply give notional assent to the Uluru Statement. We need to be able to contribute to the hard thinking and difficult discussions to be had if the overwhelming majority of our fellow Australians are to be convinced of the need for a Voice in the Constitution.
To many who work in the arts industry, the rise of art-making artificial intelligence may pose an eventual threat to their livelihoods. Will independent artists be replaced by corporations using AI to generate mass entertainment?
109-120 out of 200 results.